Tuesday, September 30, 2008

These are not rocks!




I am looking at form in nature; forms that remind me of a female body. It does not have to look exactly like something , but the feeling it gives me and the connection i can make with that form as a female is important; It is as if I can relate to it.

Saturday, September 27, 2008

Diary 03

27. 09. 2008
Arezoo Karoubi


I have been studying bullock's photographs. I am applying his technique and perspective in my work and I am planning to combine that with the way Starn Twins display their work. I am facing some limitations but it does not stop me from what i want to do. I am trying different ways and different languages. I am still thinking and searching for the question that was asked in the last critique. My feelings about being a female is expressing itself more and more , as i take more pictures i can understand better about what is happening around me, inside me , and outside of me, well not completely but it gives me a much clear vision.what is important is not that , what is important is that i have to keep working , keep moving and I can't stop.
But i am having fun at the same time. I am learning from my own ideas.
although sometimes i feel lost, but I know I have to find my way... there are no excuses!

Friday, September 26, 2008

bullock 02


bullock 01


WYNN BULLOCK

I have been looking at WYNN BULLOCK's work, he focuses on the relationship between man and nature. He uses the nude figure very beautifully. I am studying his work technically and conceptually to help me with my series. I am approaching my concept differently this time. Here is more information about him:


Wynn Bullock continues to be known as one of America's most innovative and experimental photographers. Bullock felt that his photographs were more than surface reflections, that they portrayed the interaction of "space and time" defined by light. This volume contains Bullock's most influential and best-known images, spanning his entire photographic career. An essay by David Fuess illuminates Bullock's life and work, drawing from a series of revealing interviews conducted with Bullock just prior to his death. Wynn Bullock devoted most of his life to exploring the natural universe and man's relationship to it; the vehicle of his search was the photograph. The penetrating, enigmatic, and almost mystical nature of his images is accomplished through formal beauty matched with provocative imagery. Bullock wanted to jolt people to new heights of visual and self-awareness by encouraging them to relate to nature directly, unencumbered by traditional modes of visual and abstract thinking. His dramatic photographs have been characterized as showing the inner essence of nature, powerfully reflecting its mysterious beauty on a level extending beyond the everyday.

Tuesday, September 23, 2008

Darkroom prints


Nostalgia









    
                                   


Monday, September 22, 2008

starn twins 03


More about Starn Twins

Here is more information about starn twins. what they do is very interesting and inspiring to me:


Born 1961, college-, grad school-, Boston based."We've been photographing since we were 13….." Doug.
Work-
2 in 1- the twins work as if they were 1 person (note self portrait) .
post modernism- non binary (working out side the meta narrative of photography.Destroying the Renaissance and Modernist idea of the artist as singular and all powerful creator. They know no other way.
The twins "destroy" they negatives and paper (note those)
Again they are working out side of photography's meta narrative.Exposing and alluding to process and creator(s)Morning the loss of innocence.Quote "To us art can't be diminished…"
Now the twins have been focusing their energies making sculptural photographs.
Again they are working with postmodern ideas, by making the traditional medium of photography into 3 dimensions.Contrasting humanism and science - reflected with their industrial design.For the hell of it.
Of course the twins talk about all sorts of other things in their work.
Controlled Chaos- more recent worksArt history- Raft of the MedusaJapanese culture and shintoism.
Now-
The Starn Twins are moving and shaking the art establishment right now and they seem to have a bright future ahead of them.
Short films- taped together and "aged"They still have to finish a lot of they're massive pieces.

Poetry

I will greet the sun again

I am sending my greetings to the sun,
To the tender river that filled my veins,
To the raining clouds that carried my long dreams
And to the sore aging of poplar trees in the yard:
They escorted me in all visits of dried times.

I am sending my greetings to the crowd of crows:
They always brought me the fresh perfume of nights’ crops.
And to my mother who stayed in the mirror,
And looked like my aged face.

My greetings to the earth,
The earth that the thrill of repeating me,
was cramming beneath its aroused inside,
by green seeds.

I will come, I will come,
I will arrive.

With my curls: the winged scent of the soil
With my eyes: the bright insight of the night
And I will bring all flowers I picked
from the other side of the wall.

I will come, I will come,
I will arrive.

And then the gates will be invaded by love,
And there, I will greet everybody who loves.

And, I know:
There will be a girl, still standing in front of the gates,
those soaked gates in the deluge of love…

I will greet her again as well.


By: Forough Farrokhzad
As i mentioned before poetry inspires me , and i try to read as much as i can and find similar spaces in poems that i like . So here is one of my favorite poets that inspires me with her work. Her name is Forough Farokhzad and she is Iranian.

In the Green Lake of Summer


In the green lake of summer,
lonelier than a leaf,
with my pack of olden joy,
I slowly ride to the land of void.

In the cold shore of fall,
I gave into the pale shade of pines:
This shade of fleeting loves
This shade of brief laughs
This shaking blind of life…

At nights,
while this down roof, the sad sky, is tapped
by the cold breath of a wandering breeze;

At nights,
when a wide, wounded haze is poured
in the blue lanes of our drained veins;

At nights,
at nights of our intimate meets
with bouncing vibration of our souls
a sore feel of life is heaved
only in pounds of our pulse;
an odd, ailing feel of life.

“The hopeful core of the vales is loaded by painful secrets.”
This saying is carved on firm face of peaks.
This saying is carved by whom that one night
all at once, sliced this constant silence of the mounts
by sharp echo of their truthful shouts.

“I like this calm in the lonely heart of the remains.”
A woman recited this verse,
in the green lake of summer.

A woman rhymed this chant,
with all swings of tides,
a women who occupied for a while,
that deserted deepness of the wild.

She sang:
"We poison each other
with warmth of our every word:
this toxic air of delight of life.

We are scared of the parched song of waft.
We are faded in the dark fright of doubt.

We are shaking, shaking, shaking
in daydreaming nightmare of collapse of roof
on the secret, golden garden of our love."

"Now you are with me,
Now you are with me:
Expanded, spread like fine scent of rose
in neat lanes of dawn.

Now you are with me,
intense on my chest
burning in my hands
fainting, blazing, mad,
all over my curls,
Now I am with you."

"Something,
Something massive of darkness, of shades
Confusing, unclear, vague,
like an onwards hymn of the old days
is rotating, inflating in front of my closing eyes:

I feel being spent, cornered, captured,
far from my lakes,
distant from my boat,
after the final gates…
I feel…scared."

" We had grown on this vain side of turf.
We met with that flying white knight of void,
ruling over all tads of routes."


"We are content, glad and calm.
And we are still, sad and silent.

We are content since we are indeed in love,
We are cheerless because in fact love is doomed."

By: Forough Farokhzad

Starn Twins 02


Starn Twins 01


Starn Twins


Diary 02


22. 09. 2008

I have started printing my photographs in the darkroom. this is just the start, and i was experimenting. I was trying to break the rules, and from that get different effects on my images. I am still working on that, however each time i print a photograph i know that it could be the final image, i realized that accidents are important while printing in the darkroom. I did not clean my negatives on purpose, i rather not do so. I want my pictures to look dusty, old, and timeless, and for that i will use sepia toners . I am also thinking about scanning the images , and printing them very big for the exhibition, but i also want to keep the handmade prints. i looked at Starn twins. they print their photos very big , i will post some of the images that they have. I think it is a good idea to have both manual and digital prints exhibited together.
The series i shot for this week are self portaits. but i want to take pictures of other people. so next time we will see other female figures beside myself as well as animals. I will shoot the next series by the beach, i wish i could take nude photos. this is something that is limiting me in this project.

What is also important in my work is how i stage everything. For that I started looking at movies like Big Fish directed by Tim Burton.

Sunday, September 21, 2008

untitled 02



Diary 01

13.09.2008
Arezoo Karoubi
  
I was looking at artists that have similar ideas and spaces to mine.Roger Ballen and Francesca Woodman are two of them that inspire me in this series. Also as my work has a psychological explanation to it , i began to study psychological disorders. photographers are not the only artists that inspire me , i also get inspired by poems, books, music, etc...
this is a poem by Lorca that was inspiring:
Playing her parchment moon, Percosia comes along a watery path of  laurels and crystal lights. the starless silence, fleeing from her rhythmic tambourine, falls where the sea whips and sings , his night filled with silvery swarms high atop the mountain peaks the sentinels are weeping; they guard the tall white towers of the  English consulate. And gypsies of the water for their pleasure erect little castles of cnoch shells and arbors of greening pine. Playing her parchment moon Precosia comes. The wind sees her and rises, the wind that never slumbers, naked saint Christopher swells, watching the girl as he play with tongues of celestial bells on an invisible bag pipe. Gypsy, let me lift your skirt and have a look at you. Open in my ancient fingers the blue rose of your womb

Friday, September 19, 2008

untitled 01


senior project

Nostalgia

Before Started working on this project I was thinking about what I want to do. I used to think that my senior project should be something different and and special , and now that it's time has come i had no clue about how it should be different.I decided thatI just need to be myself , because my work comes from deep inside me, and I can not be any different than what I am. so here it is some of the first ideas that came to my mind.